Score For Sale News
Saturday, May 7, 2011
Thursday, May 5, 2011
Turns out the sentiment may be mutual...
Follow the ongoing Packrat saga at Dave Lovelace's awesome website, which I hotlinked the above image from without asking permission (hope that's okay, Dave!)
Thursday, April 21, 2011
Tuesday, January 19, 2010
Kirk Slinkard pulled a pretty good practical joke on me. He sent “scans” of what were very credible pages of the old Transoniq Hacker, with the amazing 3rd article in his Sounds of Trek series (as mentioned in the previous post).
I keyed-in the patches, marveled at the programing, and tossed it in my “To Do” pile to upload and add to the original "Sounds of Trek" article.
Months later--after I posted part 3 in fact--“Civilian Kirk” (as he is called), revealed that he mocked-up the 3rd article. -It was not a Hacker original.
Well, I fell for it. His detailed patch sheets were dead ringers for the old Transoniq Hacker hand-typed table format.
But even if the format was an inside joke, the content itself is pure gold. It's a real article, mind you, with great new patches. It just never appeared in the original Transoniq Hacker.
Needless to say, if I had any idea I was sitting on a new Slinkard article, I never would have sat on it for so long. My apologies to Kirk for the delay, and my apologies to the legions of ESQ/SQ80 users for keeping these sounds from the synth community.
So, I'm proud to host this brand new article by Kirk Slinkard! Many thanks, Kirk, for sharing these great sounds with the ESQ/SQ80 community. Live long and prosper!
PS, these patches work great on the SQ8L VST, too. So everyone can get in on the fun!
Thursday, January 14, 2010
Not for lack of enthusiasm, mind you, as the sounds are amazing. Let's just say I got stuck in my own personal time warp (Cough *college!* cough!)
The wait is over! Go to the Star Trek feature to read the page about the new sounds, and download the bank, updated with 8 additional Star Trek sound effects!
Tuesday, September 15, 2009
Like many of you, I am a DAW based studio musician, so I have no sequences to contribute, but I do have lots of info:
If any of you remember "Monster Dan" from the Transoniq Hacker days, he is still in business [links open in new window]:
He does pro arrangements of (American) top 40 hits. He has thousands, and has retained his SQ80 format (at least as of a few years ago when we exchanged emails). For a pro gigging musician, buying these sequences would be a good solution.
Margus Kliimask has very generously developed a Window's based ESQ/SQ80 sequence converter, but I think it is 1-way only (I'm on a W3 phone and can't confirm):
Finally, Gary Giebler still sells his very-capable MS-DOS based 2-way sequencer translation tools! He even has a new storefront with new tools:
It's my guess that a contemporary computer will need an emulator to run them. I have used DosBox successfully for a ton of stuff:
I don't have the Giebler tools, though. Can someone confirm that they still work either with or without DosBox?
Thursday, August 6, 2009
"If you alter the Cutoff Frequency Knob while the Resonance Knob is set to a high level, you can create a type of sound that is attainable only from a synthesizer."
-- Roland Juno-106 Owner's Manual
We know what they're trying to say, but imagine a similar statement apropos of a guitar (or bagpipes, or a nose flute).
Sometimes just ya gotta smile.
Friday, March 13, 2009
I became familiar with him through his Atari ST website. The Atari ST was arguably the first general purpose computer suited to music applications, thanks to its onboard MIDI port. I had exchanged several emails with him before I realized he was the same Tim Conrardy whose sound design I had enjoyed for some time. As fellow sound designers, we were able to strike up a spirited friendship. If you have a taste for adventerous sounds (and can run Windows VSTi's) then take a look at Krakli Cygnus.
In the midst of all the emails and forum posts we exchanged, I was surprised to discover that he was an American. Surprised, simply because his sound design demonstrates a European sensibility. I think this aesthetic is obvious even to casual listeners.
Tim had an Ensoniq connection through his Atari site--the great Esq-apade for the Ensoniq ESQ-1. Esq-apade is one of the “Caged Artist” editor series, developed by Bob Melvin and distributed by DR T Software in the late 80’s. It is available only for the Atari ST, but you can have it up and running through an emulator within half an hour thanks to the great resources on Tim’s site.
Tim will be missed, and the world is a poorer place without his skills and his dedication to his craft. He leaves us with a wealth of sonic possibilities which the world had never before heard, and which are available for anyone to use.
A memorial website has been set up in his honor with biographical info, and links to both his sounds and the growing list of soundware and software which are being released to memorialize a great guy and a true artist.
Thursday, March 5, 2009
We've beefed up the hands-on section with expanded info about the LFOs (including a special LFO rate time and tempo calculator).
While we're on the LFOs, take a look at William H's affectionate and informative take on constructing LFO drum machines and arpeggiators on the ESQ1. The excellent tips he gives work equally well on the SQ80, ESQ-M and SQ8L VST.
And we close with a feature page on using the built-in overdrive effect. You knew there was a built-in overdrive effect, didn't you?
Coming soon is a user demo area and a place where you can upload stuff for our contests and features.